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Scape-Mates (1972)

ALL 07/27/1972 (en) Documentary 29 Min
  • Release
    07/27/1972
  • Production
    The TV Lab at WNET/13
  • Rotten tomato
    50%
  • Original title
    Scape-Mates
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

In one of his first experiments in video, Emshwiller creates an electronic landscape of both abstract and figurative elements, where colorized dancers are chroma-keyed into a mutable, computer-animated environment. Working with the "Scan-i-mate," an early analog video synthesizer, Emshwiller choreographs an architectural, illusory video space, in which frames proliferate within frames, disembodied heads and hands move within a collage of animated forms, and the dancers and their environment are subjected to constant transformations through image processing. With its witty interplay of the "real" and the "unreal" in an electronically rendered videospace, and the skillful manipulation and articulation of a sculptural illusion of three-dimensionality, Scape-mates introduced a new vocabulary of video image-making.

  1. Ed Emshwiller

    Director

  2. Story

  3. John Godfrey

    Editor

  4. Producer



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Full Cast & Crew

Casts : 3 , Crews : 3

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Scape-Mates (1972) 29 Min

ALL 07/27/1972 (en)
Documentary
  • Release 07/27/1972
  • Production
    The TV Lab at WNET/13
  • Original title Scape-Mates
  • en
  • Revenue0.00

Overview

In one of his first experiments in video, Emshwiller creates an electronic landscape of both abstract and figurative elements, where colorized dancers are chroma-keyed into a mutable, computer-animated environment. Working with the "Scan-i-mate," an early analog video synthesizer, Emshwiller choreographs an architectural, illusory video space, in which frames proliferate within frames, disembodied heads and hands move within a collage of animated forms, and the dancers and their environment are subjected to constant transformations through image processing. With its witty interplay of the "real" and the "unreal" in an electronically rendered videospace, and the skillful manipulation and articulation of a sculptural illusion of three-dimensionality, Scape-mates introduced a new vocabulary of video image-making.

  1. Ed Emshwiller

    Director

  2. Story

  3. John Godfrey

    Editor

  4. Producer



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