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The Removals (2016)

ALL 05/17/2016 (en) 63 Min
  • Release
    05/17/2016
  • Production
    Two Dollar Radio
  • Rotten tomato
    10%
  • Original title
    The Removals
  • Original language
    en
  • Production Cost
  • 0.00
    -

Is it still a revolution if no one notices?

Overview

Part-thriller, part-nightmarish examination of the widening gap between originality and technology, The Removals imagines where we go from here. A secretive, nefarious agency seeks to control the culture. They do this by covertly staging reproductions of everyday events, and by so doing, undermining the moment’s originality and currency. Society is then left to puzzle over what might be real, and what is fake. The agency employs symbols—like the fascists, like imperial powers of the past—notably a red cone, to plant their flag upon the moment. Two agents, Kathryn and Mason, exhausted by the toll each removal has taken from them, quietly, and then overtly, set out to undermine the agency. Haunting, engaging, and with a ferocity of vision that calls to mind the cerebral thrillers of Shane Carruth, David Lynch, or Andrei Tarkovsky, Nicholas Rombes’s directorial debut is a spellbinding new work and apt analogy for the wormhole where modern social communication leads.

  1. Nicholas Rombes

    Director

  2. Story

  3. Editor

  4. Producer



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Casts

Full Cast & Crew

Casts : 5 , Crews : 2

Recommand

Keyword

The Removals (2016) 63 Min

ALL 05/17/2016 (en)
  • Release 05/17/2016
  • Production
    Two Dollar Radio
  • Original title The Removals
  • en
  • Revenue0.00

Is it still a revolution if no one notices?

Overview

Part-thriller, part-nightmarish examination of the widening gap between originality and technology, The Removals imagines where we go from here. A secretive, nefarious agency seeks to control the culture. They do this by covertly staging reproductions of everyday events, and by so doing, undermining the moment’s originality and currency. Society is then left to puzzle over what might be real, and what is fake. The agency employs symbols—like the fascists, like imperial powers of the past—notably a red cone, to plant their flag upon the moment. Two agents, Kathryn and Mason, exhausted by the toll each removal has taken from them, quietly, and then overtly, set out to undermine the agency. Haunting, engaging, and with a ferocity of vision that calls to mind the cerebral thrillers of Shane Carruth, David Lynch, or Andrei Tarkovsky, Nicholas Rombes’s directorial debut is a spellbinding new work and apt analogy for the wormhole where modern social communication leads.

  1. Nicholas Rombes

    Director

  2. Story

  3. Editor

  4. Producer



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