Faire la parole (2017)

ALL 11/15/2017 (eu) Documentary 116 Min
  • Release
    11/15/2017
  • Production
    Les Films de l'Air
  • Rotten tomato
    55%
  • Original title
    Faire la parole
  • Original language
    eu
  • Production Cost
  • 0.00
    -

Overview

Opening with the testimony of a politically exiled Basque author reminiscing on a childhood where he was forced to “hide his language as something ugly”, Faire la parole then keeps apace with some young people from the French and Spanish Basque Country: Nora, who saw the newspaper where she worked closed by the Guardia Civil in 2003, then Aitor, Ana and Ortzi. The last three, still teenagers, lend a summery and easy-going tone to the film, which is magnificently framed by Eugène Green’s long-time cameraman, Raphael O’Byrne. The dialogue that settles in between the younger members and those in their thirties has a rare quality, as if the difference of language – which each has had to impose on their family or on their national entourage – had almost tacitly created a secret community. Starting with the political stakes (regional languages versus centralism), the story hikes over the mountains with these new friends brought together by the filmmaker.

  1. Eugène Green

    Director

  2. Story

  3. Editor

  4. Producer



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Full Cast & Crew

Casts : 1 , Crews : 1

Keyword

Faire la parole (2017) 116 Min

ALL 11/15/2017 (eu)
Documentary
  • Release 11/15/2017
  • Production
    Les Films de l'Air
  • Original title Faire la parole
  • eu
  • Revenue0.00

Overview

Opening with the testimony of a politically exiled Basque author reminiscing on a childhood where he was forced to “hide his language as something ugly”, Faire la parole then keeps apace with some young people from the French and Spanish Basque Country: Nora, who saw the newspaper where she worked closed by the Guardia Civil in 2003, then Aitor, Ana and Ortzi. The last three, still teenagers, lend a summery and easy-going tone to the film, which is magnificently framed by Eugène Green’s long-time cameraman, Raphael O’Byrne. The dialogue that settles in between the younger members and those in their thirties has a rare quality, as if the difference of language – which each has had to impose on their family or on their national entourage – had almost tacitly created a secret community. Starting with the political stakes (regional languages versus centralism), the story hikes over the mountains with these new friends brought together by the filmmaker.

  1. Eugène Green

    Director

  2. Story

  3. Editor

  4. Producer