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Censored without Censorship (2007)

ALL 03/02/2007 (sr) Documentary 57 Min
  • Release
    03/02/2007
  • Production
    Art & Popcorn
  • Rotten tomato
    72%
  • Original title
    Zabranjeni bez zabrane
  • Original language
    sr
  • Production Cost
  • 0.00
    -

Overview

Through the conversation with Yugoslav film authors and excerpts from their films, this documentary film tells a story of a film phenomenon and censorship, and its focus is, in fact, a painful epoch of Yugoslav film called “a Black Wave”, which was the most important and artistically strongest period of Yugoslav film industry, created in the sixties and buried in the early seventies by means of ideological and political decisions. The film tells a great “thriller” story of the ideological madness which characterised the totalitarian psychology having left multiple consequences felt up to our very days. It stresses similarities between totalitarian regimes defending their taboos on the example of the persecution of the most important Yugoslav film authors. Those film authors have, however, made world careers and inspired many later authors. The film is the beginning of a debt pay-off to the most significant Yugoslav film authors.

  2. Story

  3. Editor

  4. Producer



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Full Cast & Crew

Casts : 22 , Crews : 4

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Censored without Censorship (2007) 57 Min

ALL 03/02/2007 (sr)
Documentary
  • Release 03/02/2007
  • Production
    Art & Popcorn
  • Original title Zabranjeni bez zabrane
  • sr
  • Revenue0.00

Overview

Through the conversation with Yugoslav film authors and excerpts from their films, this documentary film tells a story of a film phenomenon and censorship, and its focus is, in fact, a painful epoch of Yugoslav film called “a Black Wave”, which was the most important and artistically strongest period of Yugoslav film industry, created in the sixties and buried in the early seventies by means of ideological and political decisions. The film tells a great “thriller” story of the ideological madness which characterised the totalitarian psychology having left multiple consequences felt up to our very days. It stresses similarities between totalitarian regimes defending their taboos on the example of the persecution of the most important Yugoslav film authors. Those film authors have, however, made world careers and inspired many later authors. The film is the beginning of a debt pay-off to the most significant Yugoslav film authors.

  1. Milan Nikodijević, Dinko Tucaković

    Director

  2. Story

  3. Editor

  4. Producer



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