The Revolution of Everyday Life (2010)

ALL 01/01/2010 (en) 0 Min
  • Release
    01/01/2010
  • Production
  • Rotten tomato
    0%
  • Original title
    The Revolution of Everyday Life
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

In this film 9 women record themselves being alone. At times they get together as an experimental arts collective hotly debating the value of their private work and whether to do public performances. Two of them fall in love. One becomes obsessed with the other and simultaneously imagines an idealized love while the other wants her to find the revolutionary part of herself. Revolution of Everyday Life is a document of actresses playing actresses who play characters that fall in love. It is at the same time a love story that happens in the realm of fiction and in the realm of recorded reality. The result is a documentary film within a fictional one. The film becomes a site not for representation but discovery. It is a structure for things to happen, it becomes the site for performing, not acting, not re-presenting desire, but to enact it - it is a longing for politic of desire and an expression of its urgency.

  1. Marc Lafia

    Director

  2. Story

  3. Producer



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Casts

Full Cast & Crew

Casts : 2 , Crews : 4

Keyword

The Revolution of Everyday Life (2010) 0 Min

ALL 01/01/2010 (en)
  • Release 01/01/2010
  • Production
  • Original title The Revolution of Everyday Life
  • en
  • Revenue0.00

Overview

In this film 9 women record themselves being alone. At times they get together as an experimental arts collective hotly debating the value of their private work and whether to do public performances. Two of them fall in love. One becomes obsessed with the other and simultaneously imagines an idealized love while the other wants her to find the revolutionary part of herself. Revolution of Everyday Life is a document of actresses playing actresses who play characters that fall in love. It is at the same time a love story that happens in the realm of fiction and in the realm of recorded reality. The result is a documentary film within a fictional one. The film becomes a site not for representation but discovery. It is a structure for things to happen, it becomes the site for performing, not acting, not re-presenting desire, but to enact it - it is a longing for politic of desire and an expression of its urgency.

  1. Marc Lafia

    Director

  2. Story

  3. Keren Weinberg

    Editor

  4. Producer