Torn Boots (1933)

ALL 12/17/1933 (ru) Drama 85 Min
  • Release
    12/17/1933
  • Production
    Mezhrabpomfilm
  • Rotten tomato
    0%
  • Original title
    Рваные башмаки
  • Original language
    ru
  • Production Cost
  • 0.00
    -

Overview

Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite. As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels.

  1. Story

  2. Editor

  3. Producer



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Casts

Full Cast & Crew

Casts : 8 , Crews : 7

Keyword

Torn Boots (1933) 85 Min

ALL 12/17/1933 (ru)
Drama
  • Release 12/17/1933
  • Production
    Mezhrabpomfilm
  • Original title Рваные башмаки
  • ru
  • Revenue0.00

Overview

Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite. As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels.

  1. Margarita Barskaya

    Director

  2. Story

  3. Editor

  4. Producer