La Traviata (2006)

ALL 01/01/2006 (it) Romance, Music, Drama 144 Min
  • Release
    01/01/2006
  • Production
    Decca
  • Rotten tomato
    80%
  • Original title
    La Traviata
  • Original language
    it
  • Production Cost
  • 0.00
    -

Overview

This superb 2006 production of the Los Angeles Opera's La Traviata stars Renée Fleming, who joins the ranks of the elite handful of sopranos whose vocal and acting talents make their portrayals memorable. Her Violetta Valéry is a vulnerable figure torn between self-indulgence and love, sacrificing personal happiness to become a victim of the social mores of mid-19th-century bourgeois France. Fleming's acting captures the complexity of the character and her vocalism is flawless. She negotiates the wild coloratura of Act One with aplomb, and is stunning in the lyric passages that pervade the opera, and touching in her scenes with her lover, Alfredo, and his father. Her singing is free of the mannerisms that have sometimes crept into her work and at the same time she brings countless personal touches to the role, phrasing and verbal emphases that shed fresh light on the character.

  1. Marta Domingo

    Director

  2. Story

  3. Editor

  4. Producer



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Casts

  1. Renée Fleming

    Violetta Valéry

  2. Rolando Villazón

    Alfredo Germont

  3. Renato Bruson

    Giorgio Germont

  4. Suzanna Guzmán

    Flora Bervoix

  5. Anna Alkhimova

    Annina

  6. James Conlon

    Conductor

Full Cast & Crew

Casts : 6 , Crews : 4

Keyword

La Traviata (2006) 144 Min

ALL 01/01/2006 (it)
Romance, Music, Drama
  • Release 01/01/2006
  • Production
    Decca
  • Original title La Traviata
  • it
  • Revenue0.00

Overview

This superb 2006 production of the Los Angeles Opera's La Traviata stars Renée Fleming, who joins the ranks of the elite handful of sopranos whose vocal and acting talents make their portrayals memorable. Her Violetta Valéry is a vulnerable figure torn between self-indulgence and love, sacrificing personal happiness to become a victim of the social mores of mid-19th-century bourgeois France. Fleming's acting captures the complexity of the character and her vocalism is flawless. She negotiates the wild coloratura of Act One with aplomb, and is stunning in the lyric passages that pervade the opera, and touching in her scenes with her lover, Alfredo, and his father. Her singing is free of the mannerisms that have sometimes crept into her work and at the same time she brings countless personal touches to the role, phrasing and verbal emphases that shed fresh light on the character.

  1. Marta Domingo

    Director

  2. Story

  3. Editor

  4. Producer