Max Boyce Down Under (2004)

ALL 01/24/2004 (en) Comedy 60 Min
  • Release
    01/24/2004
  • Production
  • Rotten tomato
    70%
  • Original title
    Max Boyce Down Under
  • Original language
    en
  • Production Cost
  • 0.00
    -

2003 concert from the Sydney Opera House, Australia

Overview

Rugby World Cups always amount to a good deal more than the sum of their games, or a list of winners and losers. They inevitably broaden, as their momentum builds into a celebration of the game itself - its vigour, its humour, its spirit and perhaps above all, its friendships. No-one knows how to celebrate these things better than Max. Max Boyce holds a unique place in the affections of rugby followers as someone whose love for the game – and for Welsh rugby in particular, however it happens to be faring - helps define the kind of entertainer he is and the very special world he invites us to enter. It’s a world audiences have embraced with total delight over three decades of best-selling albums, hit television shows and sell-out live performances. You name it and Max has done it. Now he can add the Sydney Opera House to his list of conquests.

  1. Director

  2. Story

  3. Editor

  4. Producer



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Casts : 1 , Crews : 0

Keyword

Max Boyce Down Under (2004) 60 Min

ALL 01/24/2004 (en)
Comedy
  • Release 01/24/2004
  • Production
  • Original title Max Boyce Down Under
  • en
  • Revenue0.00

2003 concert from the Sydney Opera House, Australia

Overview

Rugby World Cups always amount to a good deal more than the sum of their games, or a list of winners and losers. They inevitably broaden, as their momentum builds into a celebration of the game itself - its vigour, its humour, its spirit and perhaps above all, its friendships. No-one knows how to celebrate these things better than Max. Max Boyce holds a unique place in the affections of rugby followers as someone whose love for the game – and for Welsh rugby in particular, however it happens to be faring - helps define the kind of entertainer he is and the very special world he invites us to enter. It’s a world audiences have embraced with total delight over three decades of best-selling albums, hit television shows and sell-out live performances. You name it and Max has done it. Now he can add the Sydney Opera House to his list of conquests.

  1. Director

  2. Story

  3. Editor

  4. Producer