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The Talk of Hollywood (1929)

ALL 12/10/1929 (en) Comedy 70 Min
  • Release
    12/10/1929
  • Production
  • Rotten tomato
    50%
  • Original title
    The Talk of Hollywood
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

Schlock-movie producer J. Pierpont Ginsburg, after declaring, in a Yiddish accent, that "talking pictures are in their infantry," decides to put all of his savings into a big-budgeted musical, starring the sensation of Paris (with a bad French accent), Adore Renee, and a swishy leading man, Reginald Whitlock. Meanwhile, his daughter, Judy Ginsburg, gets involved in a romance with Ginsburg's Gentile lawyer, John Applegate. His efforts aren't helped any by the projectionist who mixes up the sound-disc reels, with the images not matching the dialogue and sound effects, during a showing for prospective film buyers and exhibitors.

  1. Mark Sandrich

    Director

  2. Story

  3. Editor

  4. Producer



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Casts

  1. Nat Carr

    J. Pierpont Ginsburg

  2. Fay Marbe

    Adore Renée

  3. Hope Sutherland

    Ruth Ginsburg

  4. Sherling Oliver

    John Applegate

  5. Edward LeSaint

    Edward Hamilton

  6. Gilbert Marbe

    Reginald Whitlock

  7. John Troughton

    Butler

  8. Al Goodman

    Al Goodman-Orchestra Leader

  9. Tom O'Brien

    Reel-Mixing Projectionist

  10. Sam Levene

    Film Buyer

Full Cast & Crew

Casts : 10 , Crews : 1

Recommand

Keyword

The Talk of Hollywood (1929) 70 Min

ALL 12/10/1929 (en)
Comedy
  • Release 12/10/1929
  • Production
  • Original title The Talk of Hollywood
  • en
  • Revenue0.00

Overview

Schlock-movie producer J. Pierpont Ginsburg, after declaring, in a Yiddish accent, that "talking pictures are in their infantry," decides to put all of his savings into a big-budgeted musical, starring the sensation of Paris (with a bad French accent), Adore Renee, and a swishy leading man, Reginald Whitlock. Meanwhile, his daughter, Judy Ginsburg, gets involved in a romance with Ginsburg's Gentile lawyer, John Applegate. His efforts aren't helped any by the projectionist who mixes up the sound-disc reels, with the images not matching the dialogue and sound effects, during a showing for prospective film buyers and exhibitors.

  1. Mark Sandrich

    Director

  2. Story

  3. Editor

  4. Producer



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