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The Indomitable Leni Peickert (1970)

ALL 03/29/1970 (de) Drama 33 Min
  • Release
    03/29/1970
  • Production
    Kairos-Film
  • Rotten tomato
    55%
  • Original title
    Die unbezähmbare Leni Peickert
  • Original language
    de
  • Production Cost
  • 0.00
    -

Overview

The Indomitable Leni Peickert is a loose, half-hour sequel to Alexander Kluge's second feature film, Artists in the Big Top: Perplexed. This shorter work, seemingly assembled from leftover footage from the longer film, continues the story of the circus owner Leni Peickert after she first abandoned her idea of a radical circus in favor of a job in television. It opens where the previous film left off, at a TV station where Leni and her friends have gathered as employees, attempting to infiltrate the corporate establishment with their own revolutionary ideas. This radicalism is somewhat undercut by the way that Kluge deliberately shoots down the low-cut blouse of one of these young revolutionaries, the camera eyeing her cleavage and then panning down, to the text she's reading, and then back up again, finding her sexuality ultimately much more interesting than her radicalism.

  1. Alexander Kluge

    Director

  2. Story

  4. Producer



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Casts

  1. Hannelore Hoger

    Leni Peickert

  2. Bernd Höltz

    Herr von Lüptow

  3. Sigi Graue

    Manfred Peickert

  4. Heinrich Böll

    Diskutierender

  5. Martin Walser

    Diskutierender

  6. Walter Jens

    Diskutierender

Full Cast & Crew

Casts : 6 , Crews : 6

Recommand

Keyword

The Indomitable Leni Peickert (1970) 33 Min

ALL 03/29/1970 (de)
Drama
  • Release 03/29/1970
  • Production
    Kairos-Film
  • Original title Die unbezähmbare Leni Peickert
  • de
  • Revenue0.00

Overview

The Indomitable Leni Peickert is a loose, half-hour sequel to Alexander Kluge's second feature film, Artists in the Big Top: Perplexed. This shorter work, seemingly assembled from leftover footage from the longer film, continues the story of the circus owner Leni Peickert after she first abandoned her idea of a radical circus in favor of a job in television. It opens where the previous film left off, at a TV station where Leni and her friends have gathered as employees, attempting to infiltrate the corporate establishment with their own revolutionary ideas. This radicalism is somewhat undercut by the way that Kluge deliberately shoots down the low-cut blouse of one of these young revolutionaries, the camera eyeing her cleavage and then panning down, to the text she's reading, and then back up again, finding her sexuality ultimately much more interesting than her radicalism.

  1. Alexander Kluge

    Director

  2. Story

  3. Beate Mainka-Jellinghaus

    Editor

  4. Producer



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