Rendez-vous of the Docks (1955)

ALL 01/01/1955 (fr) Drama 75 Min
  • Release
    01/01/1955
  • Production
    Films du Soleil, Groupe de Réalisations Cinématographiques de Marseille, Profifilm
  • Rotten tomato
    70%
  • Original title
    Le rendez-vous des quais
  • Original language
    fr
  • Production Cost
  • 0.00
    -

Overview

Rendez-vous of the Docks reconstituted the mythic docks' refusing to load arms for Indochina War in the Marseilles's port. This film captivates by his realistic force. Shot clandestinely using non-professional actors in natural locations, with the camera on his shoulder, Carpita anticipated "la Nouvelle Vague." He is considered the one of the unique French neorealist in film history, the missing link between Jean Renoir’s Toni and Jean-Luc Godard’s Breathless. At the premiere of Rendez-vous of the Docks, cops interrupted the screening and brought the film back to the police station. This film is the longest censored film of the history of French cinema. For 35 years, Paul Carpita thought his film had been destroyed by censorship.

  1. Paul Carpita

    Director

  2. Story

  3. Editor

  4. Producer



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Casts

  1. André Maufray

    Robert Fournier

  2. Roger Manunta

    Jean Fournier

  3. Jeanine Moretti

    Marcelle

  4. Rose Dominiquetti

    la mère Fournier

  5. Albert Mannac

    Jo, l'ouvrier «jaune»

  6. Annie Valde

    Simone

  7. Georges Pasquini

    Toine

  8. Louisette Cavolino

    la femme de Toine

Full Cast & Crew

Casts : 8 , Crews : 3

Keyword

Rendez-vous of the Docks (1955) 75 Min

ALL 01/01/1955 (fr)
Drama
  • Release 01/01/1955
  • Production
    Films du Soleil, Groupe de Réalisations Cinématographiques de Marseille, Profifilm
  • Original title Le rendez-vous des quais
  • fr
  • Revenue0.00

Overview

Rendez-vous of the Docks reconstituted the mythic docks' refusing to load arms for Indochina War in the Marseilles's port. This film captivates by his realistic force. Shot clandestinely using non-professional actors in natural locations, with the camera on his shoulder, Carpita anticipated "la Nouvelle Vague." He is considered the one of the unique French neorealist in film history, the missing link between Jean Renoir’s Toni and Jean-Luc Godard’s Breathless. At the premiere of Rendez-vous of the Docks, cops interrupted the screening and brought the film back to the police station. This film is the longest censored film of the history of French cinema. For 35 years, Paul Carpita thought his film had been destroyed by censorship.

  1. Paul Carpita

    Director

  2. Story

  3. Editor

  4. Producer