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Culture Club Live At The Royal Albert Hall 20th Anniversary Concert (2002)

ALL 11/10/2002 (en) Music 0 Min
  • Release
    11/10/2002
  • Production
  • Rotten tomato
    0%
  • Original title
    Culture Club Live At The Royal Albert Hall 20th Anniversary Concert
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

Live at the Royal Albert Hall finds Culture Club celebrating their 20th anniversary with an infectious and expansive grandeur, all while basking in the love of adoring fans. The show actually starts with a great joke on the audience: Boy George, looking not a day over 20, glides onstage in his once-trademark derby and beaded hair extensions, delivering a warm and welcome vocal on "Do You Really Want to Hurt Me?" The startled crowd soon realises he's an impersonator. The real, fortysomething George O'Dowd, looking a lot less androgynous and a tad thicker than in his New Romantic days, smiles self-deprecatingly and launches into a pleasing set of white soul ("Cold Shoulder", "Miss Me Blind"), stark gospel ("That's the Way"), stirring raga-rock ("Bow Down Mister") and even a classic (a lovely cover of Bowie's "Starman", complete with audience participation and muscular guitar by Roy Hay). It's a fine show all around.

  1. Director

  2. Story

  3. Editor

  4. Producer



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Casts : 4 , Crews : 0

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Culture Club Live At The Royal Albert Hall 20th Anniversary Concert (2002) 0 Min

ALL 11/10/2002 (en)
Music
  • Release 11/10/2002
  • Production
  • Original title Culture Club Live At The Royal Albert Hall 20th Anniversary Concert
  • en
  • Revenue0.00

Overview

Live at the Royal Albert Hall finds Culture Club celebrating their 20th anniversary with an infectious and expansive grandeur, all while basking in the love of adoring fans. The show actually starts with a great joke on the audience: Boy George, looking not a day over 20, glides onstage in his once-trademark derby and beaded hair extensions, delivering a warm and welcome vocal on "Do You Really Want to Hurt Me?" The startled crowd soon realises he's an impersonator. The real, fortysomething George O'Dowd, looking a lot less androgynous and a tad thicker than in his New Romantic days, smiles self-deprecatingly and launches into a pleasing set of white soul ("Cold Shoulder", "Miss Me Blind"), stark gospel ("That's the Way"), stirring raga-rock ("Bow Down Mister") and even a classic (a lovely cover of Bowie's "Starman", complete with audience participation and muscular guitar by Roy Hay). It's a fine show all around.

  1. Director

  2. Story

  3. Editor

  4. Producer



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