• Release
    05/02/2016
  • Production
  • Rotten tomato
    0%
  • Original title
    Maja S.K. Ratkje- And Sing ...Oslo Sinfonietta, Maja S.K. Ratkje & Cikada
  • Original language
    en
  • Production Cost
  • 0.00
    -

Oslo Sinfonietta, Maja S.K. Ratkje & Cikada

Overview

This album interleaves the composer’s own voice as a performer with the ensemble sound of CIKADA and Oslo Sinfonietta. In “And sing while thou on pressed flowers dost sleep” the voice is pre-recorded, and the sound files are played through loudspeakers placed among the musicians. In Concerto for Voice (moods IIIb) the composer is performing live a solo part for amplified voice, using much wider dynamics and improvisation. While performing has influenced and inspired Maja S. K. Ratkje’s composing, the opposite is also true – even though it’s too simple to say that she improvises like a composer and composes like an improvising musician: “The process of composition is primarily about mastering form and contextualising elements – both the actual sounds and the formal units – musically,” she says.

  1. Director

  2. Story

  3. Editor

  4. Producer



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Casts

  1. Maja Ratkje

    Singer

Full Cast & Crew

Casts : 1 , Crews : 2

Keyword

Maja S.K. Ratkje- And Sing ...Oslo Sinfonietta, Maja S.K. Ratkje & Cikada (2016) 43 Min

ALL 05/02/2016 (en)
Music
  • Release 05/02/2016
  • Production
  • Original title Maja S.K. Ratkje- And Sing ...Oslo Sinfonietta, Maja S.K. Ratkje & Cikada
  • en
  • Revenue0.00

Oslo Sinfonietta, Maja S.K. Ratkje & Cikada

Overview

This album interleaves the composer’s own voice as a performer with the ensemble sound of CIKADA and Oslo Sinfonietta. In “And sing while thou on pressed flowers dost sleep” the voice is pre-recorded, and the sound files are played through loudspeakers placed among the musicians. In Concerto for Voice (moods IIIb) the composer is performing live a solo part for amplified voice, using much wider dynamics and improvisation. While performing has influenced and inspired Maja S. K. Ratkje’s composing, the opposite is also true – even though it’s too simple to say that she improvises like a composer and composes like an improvising musician: “The process of composition is primarily about mastering form and contextualising elements – both the actual sounds and the formal units – musically,” she says.

  1. Director

  2. Story

  3. Editor

  4. Producer