Bright Nights (1990)

ALL 11/29/1990 (en) Documentary 60 Min
  • Release
    11/29/1990
  • Production
    Alemann Filmproduktion
  • Rotten tomato
    70%
  • Original title
    Nuits claires
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

In an experimentally compiled film review, Danielle Jaeggi, Paule Baillargeon and Claudia von Alemann reflect on their work as filmmakers and life as mothers. Just as the title is based on Michel Leiris' book of poems Bright Nights and Many a Dark Day, the film has its own poetry, which is also evident in shots of everyday activities, such as hands washing dishes. “Just the hair or the relationship of the hands to each other or gestures, and then words come in between and film clips that we talk about, and we were amazed to find that the women we portray in the films always have a lot of trouble with theirs Identity, their search for something, for lost people or lost things. “They are usually looking for something that has been lost, forgotten or gone,” said Claudia von Alemann in the 1992 interview conducted by Renate Fischetti, A Pioneer of Female Film Language. An essay about desire, doubt, contradictions. (fib)

  1. Story

  2. Editor



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Casts

Full Cast & Crew

Casts : 3 , Crews : 3

Keyword

Bright Nights (1990) 60 Min

ALL 11/29/1990 (en)
Documentary
  • Release 11/29/1990
  • Production
    Alemann Filmproduktion
  • Original title Nuits claires
  • en
  • Revenue0.00

Overview

In an experimentally compiled film review, Danielle Jaeggi, Paule Baillargeon and Claudia von Alemann reflect on their work as filmmakers and life as mothers. Just as the title is based on Michel Leiris' book of poems Bright Nights and Many a Dark Day, the film has its own poetry, which is also evident in shots of everyday activities, such as hands washing dishes. “Just the hair or the relationship of the hands to each other or gestures, and then words come in between and film clips that we talk about, and we were amazed to find that the women we portray in the films always have a lot of trouble with theirs Identity, their search for something, for lost people or lost things. “They are usually looking for something that has been lost, forgotten or gone,” said Claudia von Alemann in the 1992 interview conducted by Renate Fischetti, A Pioneer of Female Film Language. An essay about desire, doubt, contradictions. (fib)

  1. Claudia von Alemann

    Director

  2. Story

  3. Editor

  4. claudia von alemann

    Producer