Impressions de New York (1956)

ALL 11/01/1956 (fr) Documentary 12 Min
  • Release
    11/01/1956
  • Production
    Les Films de la Pléiade, Meteor Film Productions
  • Rotten tomato
    0%
  • Original title
    Impressions de New York
  • Original language
    fr
  • Production Cost
  • 0.00
    -

Overview

(auto-translation: LA CINÉMATHÈQUE FRANÇAISE ) Using a subjective camera, set to music by Bela Bartók and text by Arthur Rimbaud, François Reichenbach offers a highly singular vision of the American megalopolis. (MIFF:) These are no ordinary travel notes brought back from America by filmmakers; they are not enthusiastic records of skyscrapers and crowds. but disturbing aspects of a hallucinatory world of concrete and metal, glaring light and haunting shadow. The film is notable for its dramatic use of colour, and music from Bela Bartok's ballet "The Miraculous Mandarin". (a-t:) F.B. confides in his memoir 'Le monde a encore un visage' (1981): "When I went to New York for the first time, I'd brought along a Bell & Howell 16mm camera whose instructions I hadn't read. I didn't know how to use the film, and inadvertently loaded some rolls that had already been printed, which resulted in these strange superimposed images. A well-known process that I had reinvented by accident".

  1. Story

  2. Producer



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Full Cast & Crew

Casts : 2 , Crews : 7

Keyword

Impressions de New York (1956) 12 Min

ALL 11/01/1956 (fr)
Documentary
  • Release 11/01/1956
  • Production
    Les Films de la Pléiade, Meteor Film Productions
  • Original title Impressions de New York
  • fr
  • Revenue0.00

Overview

(auto-translation: LA CINÉMATHÈQUE FRANÇAISE ) Using a subjective camera, set to music by Bela Bartók and text by Arthur Rimbaud, François Reichenbach offers a highly singular vision of the American megalopolis. (MIFF:) These are no ordinary travel notes brought back from America by filmmakers; they are not enthusiastic records of skyscrapers and crowds. but disturbing aspects of a hallucinatory world of concrete and metal, glaring light and haunting shadow. The film is notable for its dramatic use of colour, and music from Bela Bartok's ballet "The Miraculous Mandarin". (a-t:) F.B. confides in his memoir 'Le monde a encore un visage' (1981): "When I went to New York for the first time, I'd brought along a Bell & Howell 16mm camera whose instructions I hadn't read. I didn't know how to use the film, and inadvertently loaded some rolls that had already been printed, which resulted in these strange superimposed images. A well-known process that I had reinvented by accident".

  1. François Reichenbach

    Director

  2. Story

  3. Renée Lichtig

    Editor

  4. Producer