Father was a Peculiar Man (1990)

ALL 07/01/1990 (en) 120 Min
  • Release
    07/01/1990
  • Production
  • Rotten tomato
    0%
  • Original title
    Father was a Peculiar Man
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

Join us for a screening of Reza Abdoh’s extraordinary, site-specific work Father was a Peculiar Man, an adaptation of Dostoyevsky’s The Brothers Karamazov staged in New York City’s Meatpacking District in the summer of 1990. Produced by Anne Hamburger’s En Garde Arts, Father was a Peculiar Man showed how brilliantly Reza applied his specific site-based approach that he developed in Los Angeles to New York City’s urban infrastructure. One of the goals of En Garde Arts’s site-specific journeys through New York’s Meatpacking District was to use the local architecture as a theatrical set while at the same time evoking and playing with the history of the place. The half-deserted cobblestone streets south of Chelsea enhanced the play’s nineteenth-century references. The neighborhood’s past as both a meatpacking and transportation hub via the High Line trains as well as a former center for after-hours sex clubs merge as perfect background for Reza’s spectacular tableaus of gluttony and lust.

  1. Reza Abdoh

    Director

  2. Story

  3. Tony Torn

    Editor

  4. Producer



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Casts

Full Cast & Crew

Casts : 5 , Crews : 5

Keyword

Father was a Peculiar Man (1990) 120 Min

ALL 07/01/1990 (en)
  • Release 07/01/1990
  • Production
  • Original title Father was a Peculiar Man
  • en
  • Revenue0.00

Overview

Join us for a screening of Reza Abdoh’s extraordinary, site-specific work Father was a Peculiar Man, an adaptation of Dostoyevsky’s The Brothers Karamazov staged in New York City’s Meatpacking District in the summer of 1990. Produced by Anne Hamburger’s En Garde Arts, Father was a Peculiar Man showed how brilliantly Reza applied his specific site-based approach that he developed in Los Angeles to New York City’s urban infrastructure. One of the goals of En Garde Arts’s site-specific journeys through New York’s Meatpacking District was to use the local architecture as a theatrical set while at the same time evoking and playing with the history of the place. The half-deserted cobblestone streets south of Chelsea enhanced the play’s nineteenth-century references. The neighborhood’s past as both a meatpacking and transportation hub via the High Line trains as well as a former center for after-hours sex clubs merge as perfect background for Reza’s spectacular tableaus of gluttony and lust.

  1. Reza Abdoh

    Director

  2. Story

  3. Tony Torn

    Editor

  4. Producer