Barcelone vu par Ricardo Bofill (2003)

ALL 01/01/2003 (fr) Documentary 26 Min
  • Release
    01/01/2003
  • Production
    SCEREN-CNDP, France 5
  • Rotten tomato
    100%
  • Original title
    Barcelone vu par Ricardo Bofill
  • Original language
    fr
  • Production Cost
  • 0.00
    -

Overview

A native of the capital of Catalonia, the architect-urban planner, to whom we owe the Saint-Honoré market in Paris and the Donnelley Building in Chicago, speaks of Barcelona with infectious passion. "It's a unique city, difficult to understand with conventional diagrams, he explains, criss-crossing the main arteries of the city". It is an unfinished city, constantly changing, where everything has the charm of the unfinished". With a sharp eye, Ricardo Bofill observes and comments on volumes and scrolls. Standing, in the nave of the Sagrada Familia, arms outstretched, it pivots on itself as if to take in space. "You have to have your eyes wide open, move quietly, and at the same time remember what's behind. This is how we have the sense of space. Otherwise this art does not exist."

  1. Annie Breit

    Director

  2. Story

  3. Editor

  4. Producer



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Casts : 1 , Crews : 2

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Barcelone vu par Ricardo Bofill (2003) 26 Min

ALL 01/01/2003 (fr)
Documentary
  • Release 01/01/2003
  • Production
    SCEREN-CNDP, France 5
  • Original title Barcelone vu par Ricardo Bofill
  • fr
  • Revenue0.00

Overview

A native of the capital of Catalonia, the architect-urban planner, to whom we owe the Saint-Honoré market in Paris and the Donnelley Building in Chicago, speaks of Barcelona with infectious passion. "It's a unique city, difficult to understand with conventional diagrams, he explains, criss-crossing the main arteries of the city". It is an unfinished city, constantly changing, where everything has the charm of the unfinished". With a sharp eye, Ricardo Bofill observes and comments on volumes and scrolls. Standing, in the nave of the Sagrada Familia, arms outstretched, it pivots on itself as if to take in space. "You have to have your eyes wide open, move quietly, and at the same time remember what's behind. This is how we have the sense of space. Otherwise this art does not exist."

  1. Annie Breit

    Director

  2. Story

  3. Editor

  4. Producer