One Hundred and Fifty Years of Painting (2024)

ALL 10/05/2024 (en) 51 Min
  • Release
    10/05/2024
  • Production
  • Rotten tomato
    0%
  • Original title
    One Hundred and Fifty Years of Painting
  • Original language
    en
  • Production Cost
  • 0.00
    -

A PORTRAIT IN CELLULOID

Overview

50 ½ minute 16 mm continuous film loop of artists Luchita Hurtado and Julie Mehretu in conversation. The idea for a film featuring Hurtado and Mehretu grew out of Dean’s incredible chance discovery, in 2019, that these two artists, both longtime friends of hers, shared the same birthday of November 28—and, moreover, that in 2020, Julie would be turning 50, and Luchita 100. Filmed over the course of a single day, January 3, 2020, in Hurtado’s Santa Monica apartment, the artists’ conversation meanders through subjects ranging from motherhood, to the environment, to their experiences immigrating to the U.S. as children, and, most movingly, to painting as a way of understanding one’s place in the world. description adapted from Jennifer King, associate curator of contemporary art at LACMA

  1. Tacita Dean

    Director

  2. Story

  3. Tacita Dean

    Editor

  4. Producer



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Full Cast & Crew

Casts : 2 , Crews : 2

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One Hundred and Fifty Years of Painting (2024) 51 Min

ALL 10/05/2024 (en)
  • Release 10/05/2024
  • Production
  • Original title One Hundred and Fifty Years of Painting
  • en
  • Revenue0.00

A PORTRAIT IN CELLULOID

Overview

50 ½ minute 16 mm continuous film loop of artists Luchita Hurtado and Julie Mehretu in conversation. The idea for a film featuring Hurtado and Mehretu grew out of Dean’s incredible chance discovery, in 2019, that these two artists, both longtime friends of hers, shared the same birthday of November 28—and, moreover, that in 2020, Julie would be turning 50, and Luchita 100. Filmed over the course of a single day, January 3, 2020, in Hurtado’s Santa Monica apartment, the artists’ conversation meanders through subjects ranging from motherhood, to the environment, to their experiences immigrating to the U.S. as children, and, most movingly, to painting as a way of understanding one’s place in the world. description adapted from Jennifer King, associate curator of contemporary art at LACMA

  1. Tacita Dean

    Director

  2. Story

  3. Tacita Dean

    Editor

  4. Producer