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Metal Messiah (1978)

ALL 04/26/1978 (en) Music, Science Fiction 76 Min
  • Release
    04/26/1978
  • Production
    MM Productions
  • Rotten tomato
    30%
  • Original title
    Metal Messiah
  • Original language
    en
  • Production Cost
  • 0.00
    -

A trip through the mind-warp of a future that's already here. Metal Messiah is Fog, Flags, Lights, Future Sights, Christ Crucified, Hitler Idolized, Rock ‘n’ Roll Suicide, Tomorrow, Today!

Overview

A bizarre sci-fi rock opera like little else being produced under the banner of Canadian film at the time, Metal Messiah is about an enigmatic metallic-skinned stranger trying to stop society's self-destructive obsession with rock and roll. Anchored in Toronto's live music scene if the late 1970s, this dystopian parable was the feature film debut of local music impresario and director Tibor Takács. Working with screenwriter Stephen Zoller, Takács' film is a crudely crafted, episodic work that plays out like a glam version of Amos Poe's avant-punk NYC flick The Foreigner (1978), but with even more ambition, attempting to scale to the bombastic rock opera heights of films like Phantom of the Paradise (1974) and Tommy (1975). (from: http://www.canuxploitation.com/review/metalmessiah.html)

  1. Tibor Takács

    Director

  2. Story

  3. Editor

  4. Producer



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Casts

Full Cast & Crew

Casts : 6 , Crews : 5

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Metal Messiah (1978) 76 Min

ALL 04/26/1978 (en)
Music, Science Fiction
  • Release 04/26/1978
  • Production
    MM Productions
  • Original title Metal Messiah
  • en
  • Revenue0.00

A trip through the mind-warp of a future that's already here. Metal Messiah is Fog, Flags, Lights, Future Sights, Christ Crucified, Hitler Idolized, Rock ‘n’ Roll Suicide, Tomorrow, Today!

Overview

A bizarre sci-fi rock opera like little else being produced under the banner of Canadian film at the time, Metal Messiah is about an enigmatic metallic-skinned stranger trying to stop society's self-destructive obsession with rock and roll. Anchored in Toronto's live music scene if the late 1970s, this dystopian parable was the feature film debut of local music impresario and director Tibor Takács. Working with screenwriter Stephen Zoller, Takács' film is a crudely crafted, episodic work that plays out like a glam version of Amos Poe's avant-punk NYC flick The Foreigner (1978), but with even more ambition, attempting to scale to the bombastic rock opera heights of films like Phantom of the Paradise (1974) and Tommy (1975). (from: http://www.canuxploitation.com/review/metalmessiah.html)

  1. Tibor Takács

    Director

  2. Story

  3. Editor

  4. Producer



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