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Triptychon II (2021)

ALL 10/27/2021 (en) 62 Min
  • Release
    10/27/2021
  • Production
    HardWerk Pictures
  • Rotten tomato
    0%
  • Original title
    Triptychon II
  • Original language
    en
  • Production Cost
  • 0.00
    -

Corporal punishment, corporeal bliss

Overview

We are led – and almost literally so, leash and all, as lead performer Kleopatra appears blindfolded onscreen by the ring of a bell, the creak of an old wooden school desk, a nervous lick of the lips and three waiting figures. Hanging in the air with it all: anticipation, intention, veneration. It’s not for nothing that the filmmakers have adopted a slower pace for this intense gangbang – there’s a meditative quality to the echoing spanks and answering whimpers, to the push and the pull, to effortless dance of desire between the four participating performers; an absolute presence of mind and an absolute presence of flesh. As with the studio’s previous Triptychon film, the composition finds its own seamless choreography across multiple perspectives, so creating stunning juxtapositions between pain and pleasure; between a hand tightened around a throat and the easy laughter in each moment of disarming tenderness; between the polish of ‘pre’ and the primal of ‘right now’…

  2. Story

  3. Editor

  4. Producer



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Casts

Full Cast & Crew

Casts : 4 , Crews : 2

Recommand

Keyword

Triptychon II (2021) 62 Min

ALL 10/27/2021 (en)
  • Release 10/27/2021
  • Production
    HardWerk Pictures
  • Original title Triptychon II
  • en
  • Revenue0.00

Corporal punishment, corporeal bliss

Overview

We are led – and almost literally so, leash and all, as lead performer Kleopatra appears blindfolded onscreen by the ring of a bell, the creak of an old wooden school desk, a nervous lick of the lips and three waiting figures. Hanging in the air with it all: anticipation, intention, veneration. It’s not for nothing that the filmmakers have adopted a slower pace for this intense gangbang – there’s a meditative quality to the echoing spanks and answering whimpers, to the push and the pull, to effortless dance of desire between the four participating performers; an absolute presence of mind and an absolute presence of flesh. As with the studio’s previous Triptychon film, the composition finds its own seamless choreography across multiple perspectives, so creating stunning juxtapositions between pain and pleasure; between a hand tightened around a throat and the easy laughter in each moment of disarming tenderness; between the polish of ‘pre’ and the primal of ‘right now’…

  1. Paulita Pappel, Rod Wyler

    Director

  2. Story

  3. Editor

  4. Producer



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  • Site : English