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Salzburg Festival 2021: Currentzis conducts Mozart (2021)

ALL 08/14/2021 (de) Music 83 Min
  • Release
    08/14/2021
  • Production
    Unitel, ZDF
  • Rotten tomato
    0%
  • Original title
    Salzburger Festspiele 2021: Teodor Currentzis und musicAeterna spielen Mozart
  • Original language
    de
  • Production Cost
  • 0.00
    -

Overview

At the Salzburg Festival 2021, the musicAeterna Orchestra conducted by Teodor Currentzis performed the last symphonies of Wolfgang Amadeus Mozart – No. 40 K. 550 and No. 41 K. 551 Jupiter. The two pinnacles of Mozart’s symphonic heritage are interconnected: the classic wrote symphonies No. 39–41 in one short period of just a few fruitful weeks in 1788. In the concert the two symphonies – the two sides of Mozart’s unfathomable genius – are joined by works that are close to them both in spirit and the time of creation: the orchestral Masonic Funeral Music in C minor, the recitative and aria of Donna Anna from the finale of the opera Don Giovanni and the chorus from the spiritual cantata Davide penitente created in 1785.

  1. Michael Beyer

    Director

  2. Story

  3. Editor

  4. Magdalena Herbst

    Producer



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Casts

  1. Teodor Currentzis

    Self – Conductor

  2. musicAeterna

    Self – Orchestra / Choir

  3. Nadezhda Pavlova

    self – soprano

Full Cast & Crew

Casts : 3 , Crews : 10

Recommand

Keyword

Salzburg Festival 2021: Currentzis conducts Mozart (2021) 83 Min

ALL 08/14/2021 (de)
Music
  • Release 08/14/2021
  • Production
    Unitel, ZDF
  • Original title Salzburger Festspiele 2021: Teodor Currentzis und musicAeterna spielen Mozart
  • de
  • Revenue0.00

Overview

At the Salzburg Festival 2021, the musicAeterna Orchestra conducted by Teodor Currentzis performed the last symphonies of Wolfgang Amadeus Mozart – No. 40 K. 550 and No. 41 K. 551 Jupiter. The two pinnacles of Mozart’s symphonic heritage are interconnected: the classic wrote symphonies No. 39–41 in one short period of just a few fruitful weeks in 1788. In the concert the two symphonies – the two sides of Mozart’s unfathomable genius – are joined by works that are close to them both in spirit and the time of creation: the orchestral Masonic Funeral Music in C minor, the recitative and aria of Donna Anna from the finale of the opera Don Giovanni and the chorus from the spiritual cantata Davide penitente created in 1785.

  1. Michael Beyer

    Director

  2. Story

  3. Editor

  4. Magdalena Herbst

    Producer



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