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Af-Fixing Ceremony: Four Movements for Essex, Movement I: Essex + Audre (2015)

ALL 12/01/2015 (en) 2 Min
  • Release
    12/01/2015
  • Production
  • Rotten tomato
    0%
  • Original title
    Af-Fixing Ceremony: Four Movements for Essex, Movement I: Essex + Audre
  • Original language
    en
  • Production Cost
  • 0.00
    -

Overview

Between 2014 and 2017, McClodden revived the work of deceased Black queer artists who were active during the 1980s AIDS epidemic, including the poet and activist Essex Hemphill. Here, McClodden remakes a scene from Marlon Riggs’s essay-film Tongues Untied (1989), in which Hemphill recites a passage from writer Audre Lorde’s Sister Outsider: Essays and Speeches (1984). McClodden describes the video as “a portrait of self-contained conflict and rage,” with Hemphill gazing directly into the camera. Conceived as a “duet” between Hemphill and Lorde, it also underscores Hemphill’s commitment to Black feminist thought, highlighting the transfer of language and influence from one poet-activist to another. [Overview Courtesy of MoMA]

  2. Story

  3. Editor

  4. Producer



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Af-Fixing Ceremony: Four Movements for Essex, Movement I: Essex + Audre (2015) 2 Min

ALL 12/01/2015 (en)
  • Release 12/01/2015
  • Production
  • Original title Af-Fixing Ceremony: Four Movements for Essex, Movement I: Essex + Audre
  • en
  • Revenue0.00

Overview

Between 2014 and 2017, McClodden revived the work of deceased Black queer artists who were active during the 1980s AIDS epidemic, including the poet and activist Essex Hemphill. Here, McClodden remakes a scene from Marlon Riggs’s essay-film Tongues Untied (1989), in which Hemphill recites a passage from writer Audre Lorde’s Sister Outsider: Essays and Speeches (1984). McClodden describes the video as “a portrait of self-contained conflict and rage,” with Hemphill gazing directly into the camera. Conceived as a “duet” between Hemphill and Lorde, it also underscores Hemphill’s commitment to Black feminist thought, highlighting the transfer of language and influence from one poet-activist to another. [Overview Courtesy of MoMA]

  1. Tiona Nekkia McClodden

    Director

  2. Story

  3. Editor

  4. Producer



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