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Whispers of religious salvation left behind by 'poisoning' creepy acting

 Stories are poisonous and violent scenes are poignant and the actors who play them seem more intimate. Actors who showed a crazy presence in a word, JoJinWoong, late Kim Joo Hyuk, Ryu Joon Yeol, Cha Seung Won, Kim Seong Ryeon, Park HaeJoon and Jin Seok-yeon, all of which show an immersive acting commitment. As audiences, they can not help falling asleep as they do not know how the two hours have passed through the tension created by their acting.

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But is it so. The intense scenes are concentrated all over the eyes of the audience, as is the case in the noir film about drugs, so many religious nuances that director Hae-yong puts through this noir are hidden behind. This can also be found in the movie 'Believer', where the English title of the film titled 'The Movie' is a bit of a rudeness. The exterior is a "war of ghoul," but inside it seems to have hidden religious insights into life with "believers."

It is filled with the tense tension of the fierce and harsh crime scene, and the arc (Cho Jing-woong) that rushes through the scenery where the snow is white in the starting and ending points of the movie, It gives a feeling. But the starting and ending point is that after watching the movie, it is not a quadruple, but it is actually the key to seeing this noir movie much further. It seems as if the shape of the arc, which seems to be at the end of the world, is an aspect of the life that we live in order to confirm what we believe in the end.

The reason why I feel this kind of religious nuance in a movie called "Iseonjeon" is that there is a name that is named "Lee Seon-ji" in the first part of the film but there is an invisible entity. The characters in the movie try to meet Lee or to impersonate him or to catch him according to his purpose. Of course, in the genre characteristic of noir movies, Lee is a "big shot" who moves a big drug organization from behind, so those who want to see him try to deal with him, use his fame, or arrest him.

But the film hides Lee's existence until the end. So, there is a hellish war of characters who are fictitious. Anyone who does not believe, or who pretends to impersonate him and seizes power, will thus reach the end in the hell, and anyone who seeks to catch him will eventually catch the illusion. Only the arc that does not give up faith until the end reaches the reality of Lee.

However, in front of Lee Sang-seon, I feel that life is so futile that I have been following Lee Sun-young. He suddenly asks Lee. So, "Have you ever been happy?" It was like he could have saved his life if he caught Lee, but he suddenly realized that he was standing before him. What made it so stubbornly come to the end of the world without giving up on that belief?

As the title suggests, it is a work that can be fully enjoyed even if it enjoys the "war of the poisonous" as if enjoying noir. Especially, the actors who made the texture of the noir bloody bloody are exciting to be horrified. But it is also worth noting the fun of looking at director Whispers, who is telling stories about religious salvation and faith through noir. The shape of the arc that drives the car as if composing the desolate and cold frost that connects the front and the end of the movie is the fun of the lull that is long in memory.