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'Chin judge' The power of the pro-judge comes from the case of abstraction and reality ventilation

There was a time of drama that it was not possible to organize without Melo. So, drama like <micro> was rather popular because it was broadcasted on cable by abandoning terrestrial wave. These results show that there is no need for melodies in genre, but there are some aspects of our dramas that seem to me even if it is a big thing if melo is lost. SBS drama <Dear Judge> is also sadly falling into the cloches of the melody.

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Han Kang-ho (Yoon Sik Yoon), who became a judge instead of his brother, is the most dramatic choice of the drama. Dear Judge, tell us the story of the petition that they see, as it is contained in that title, when the law does not listen to the stories of the poor and unjust. In the reality that the judge, the prosecutor, and the lawyer are all wrestling with the law that wrestles the law, the existence of the false judge Han Gangho emerges as a person outside the system of breaking this 'cartel of evil'.

So the power of Dear Judge comes from two things. One is from the dispossessed forces whose judge's case is dominated by wealth and power, and the other is the consensus that we take a close look at the events of ordinary people, . Lee Jong-sung (chief of the chaebol 3), Jung-soo Hong (Jung Seung-tae) and the lawyer Oh Sang-chul (Park Byung-eun) are the representative detainees. The violence that they inflict on the innocent people acts as a force for viewers to cooperate and see the drama.

The sick story of the common people who are hit by the forces of deterrence makes the viewers sympathize at the same time. The story of the victim's son trying to cover up the incident with his heart attacked by Lee Ho-sung, the persecuted story of Park Jee-hyun (Park Ji-hyun) who was driven by alcohol and drugs, It is like a story that Meowon (Lee Young-eun) reconciles with his overly aggressive mother to prevent his discrimination. These stories make our heads nod like our stories.

However, <Dear Judge> also can not escape 'Melodic code' which became 'the report of the passion of our drama'. This is the process of changing into a melodic relationship with Song Soo Eun (Yu Yeong), a fake judge who entered the Han River with a judge ' It also contains the framework of triangular melodies that are associated with Song Sang Eun's boyfriend, Oh Sang Chul (Park Byeong-eun).

What I can not understand is that my sister has been raped and neglected by friends of Oh Sangcheol in the past, but she still maintains a meeting with Oh Sangcheol. Of course, Song Soo Eun declares separation from Oh Sang Chul, but it seems that Han Kang, Song Soon Eun, and Oh Sang Chul's triangular melody breaks, so Han Kang and Song Soo become melodic relations and the original setting Look like that.

However, I hope this melody will help the drama. Past viewers may have considered drama without melancholy like a red bean sauce, but now it is not. Rather, it seems to be a factor that makes melo support the story of the clearing of the abandonment and the reality of the common people in the definition of the law that the drama wants to do. Is it not possible to maintain the relationship between Han Kang Ho and Song Soo to maintain a proper relationship between Judge and Shibo and gain human consensus in the process of realization of justice? Now the excess melo setting is more than the gain.